Autores
Orientador(es)
Resumo(s)
Cantar, apresenta-se enquanto uma das ferramentas inerentes às práticas existentes nas Tunas. À semelhança de outros instrumentos musicais, a voz representa a forma de difundir repertórios de diferentes géneros, estilos e gostos. Da revisão da literatura sobre a temática, bem como do contacto e observação direta com alguns elementos de diversas Tunas que fazem parte do universo académico português, com incidência no norte do país, percebe-se que por vezes existe um desconhecimento dos cuidados que devem existir para cuidar da voz. Este desconhecimento, leva muitas vezes a uma utilização incorreta da voz, implicando posturas corporais e vocais que podem prejudicar o desempenho de quem canta e gosta de o fazer. Os ambientes nas Tunas impelem muitas vezes ao festejo, ao divertimento mais exacerbado e, nestas situações, a voz pode ser utilizada até ao extremo, com prejuízo para os cantores. Como consequência, pode acontecer a rouquidão, a fadiga vocal, a afonia ou outras situações, que alteram a qualidade vocal. Tal como outros instrumentos musicais, também a voz necessita de cuidados e técnicas, quer para comunicar, quer para cantar. Considerando que a voz faz parte do corpo e não pode dissociar-se do mesmo, a proposta do presente Workshop tem como principal objetivo debater e prestar alguns esclarecimentos no sentido de como se pode cuidar da voz, para evitar posturas menos corretas que, de alguma forma podem lesar o trato vocal. Para o efeito, apresenta-se ainda uma componente prática, a partir da construção de alguns exercícios corporais e de técnica vocal. Como conclusão, entende-se que, a promoção destes debates sobre auxiliar quer a refletir na saúde da voz, para cantar ou falar, quer para criar hábitos mais corretos e proporcionar ferramentas que podem fazer a diferença de uma melhor postura, para quem é músico numa Tuna.
Singing presents itself as one of the tools inherent to the existing practices in the Tunas. Like other musical instruments, the voice represents the way to spread repertoires of different genres, styles and tastes. From the review of the literature on the subject, as well as the contact and direct observation with some elements of various Tunas that are part of the Portuguese academic universe, with a focus on the north of the country, it is clear that sometimes there is a lack of knowledge of the care that should exist to take care of the voice. This lack of knowledge often leads to incorrect use of the voice, implying body and vocal postures that can impair the performance of those who sing and like to do so. The environments in the Tunas often encourage celebration, the most exacerbated fun and, in these situations, the voice can be used to the extreme, to the detriment of the singers. As a consequence, hoarseness, vocal fatigue, aphonia or other situations that alter vocal quality may occur. Like other musical instruments, the voice also needs care and techniques, both to communicate and to sing. Considering that the voice is part of the body and cannot be dissociated from it, the main purpose of this Workshop is to discuss and provide some clarifications on how to take care of the voice, to avoid less correct postures that, in some way, form can damage the vocal tract. For this purpose, a practical component is also presented, based on the construction of some body exercises and vocal technique. In conclusion, it is understood that the promotion of these debates on helping to reflect on the health of the voice, to sing or speak, or to create more correct habits and provide tools that can make the difference in a better posture, for those who are musicians in a Tuna.
Singing presents itself as one of the tools inherent to the existing practices in the Tunas. Like other musical instruments, the voice represents the way to spread repertoires of different genres, styles and tastes. From the review of the literature on the subject, as well as the contact and direct observation with some elements of various Tunas that are part of the Portuguese academic universe, with a focus on the north of the country, it is clear that sometimes there is a lack of knowledge of the care that should exist to take care of the voice. This lack of knowledge often leads to incorrect use of the voice, implying body and vocal postures that can impair the performance of those who sing and like to do so. The environments in the Tunas often encourage celebration, the most exacerbated fun and, in these situations, the voice can be used to the extreme, to the detriment of the singers. As a consequence, hoarseness, vocal fatigue, aphonia or other situations that alter vocal quality may occur. Like other musical instruments, the voice also needs care and techniques, both to communicate and to sing. Considering that the voice is part of the body and cannot be dissociated from it, the main purpose of this Workshop is to discuss and provide some clarifications on how to take care of the voice, to avoid less correct postures that, in some way, form can damage the vocal tract. For this purpose, a practical component is also presented, based on the construction of some body exercises and vocal technique. In conclusion, it is understood that the promotion of these debates on helping to reflect on the health of the voice, to sing or speak, or to create more correct habits and provide tools that can make the difference in a better posture, for those who are musicians in a Tuna.
Descrição
Palavras-chave
Cantar Falar Saúde vocal Músico de tuna
Contexto Educativo
Citação
Castro, Maria Isabel Ribeiro de (2023). Do cantar ao berrar: da voz quero cuidar. In Clarisse Pais; Bruno F. Gonçalves; Vitor Gonçalves (Eds.) III Jornadas Internacionais de Tunas (JiT23): livro de resumos. Bragança
Editora
Instituto Politécnico de Bragança