Percorrer por autor "Costa, Carlos Casimiro da"
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- Absolute beginnersPublication . Costa, Carlos Casimiro da; Costa, Jacinta Casimiro daTomorrow, I m recovering my Thursday child as an absolute beginner , Transporting you to the essential touch of surface skin and space, Only for you, i do not regret, looking for education in a materia set. My love is your love , my materiality is you making things, The legacy of our ethnography, craftsmen s old and disappear, make me strong hard feelings, Recovering experiences and knowledge sprinkled in powder of stone, wood and metal ( ) reflecting in your dirty face the tranquility of your serendipity. Transport me to sensitive springs, most of the People run to mars like Major Tom , they only have heroes that comes from the virtual tomb , but Absolute beginners still deal with dust to dust , and ashes to ashes , Looking again to Thursday s child and... essential, exalted, noble and creative, knowing Materia is our path, our sense of a possible future not far from faith, We do need Enablers like you, that bring us the experience from old men s path s, Showing us the way that blow s in the wind Well my love, timeless Enablers regard project design po(etic) attitude, hope to infecting us, even further with tools to talk about hopping then to say, that we (..) could be Heroes, just for one day . This design aim rhapsody, pretend us to transport not only to the tangible music of Bowie, but to the essential spectrum that, we as teachers look for, when we pretend to pass our intentions and knowledge (John Dewey, 2004). The economic, environmental and social crises give us a strong minded support that we have to pass to our children and students. A sense that materia and the way we work on it can establishes profound bounds in the artifacts that fulfill our habitus . Also, our research refocus in that particular intrinsic structure of creating a legacy spectrum of crafted people skills from popular craft/design (Morris, 1881, Gropius, 1919; Papanek, 1971, 1995; Bonsiepe, 1998; Bozzi & Oroza, 2003), which still have the time to pass their knowledge to younger generations. A particular joy in labour , that comes from Morris times, recovering ethnographic and anthropological wisdoms, older tools and the way of tooling, proposing experience and connecting old/new language and technologies. The project design research tries to find in this new ecology of transference (Manzini, 2006) of teaching and the paradigmatic old technics (craft and popular design), humbled producers/enablers that will perpetuate the pass (and present), proposing a future of knowledge exchange. A sense of global tools (Mari, 1997), connected locally and globally but that will give logic not only to immateriality knowledge but also to the awakening of new curios making minds.
- Afluências e confluências de um design incógnitoPublication . Costa, Carlos Casimiro da; Costa, Jacinta Casimiro daA ‘mínima moralia’ do designer, num mundo de confluências adstrito, submergindo nas ideias e nas confrontações. O Design como agente de engenho e de olhar atento sob as gramáticas do quotidiano despontando sobre esse ‘hapening’ ‘glocal’ em que as lógicas de imprevisibilidade, improbabilidade e ‘desenrascanço’, podem ser agentes dinâmicos de práticas de auto-produção, identidade e sustentabilidade.
- An ICT platform to support cultural heritage in rural communities: the Viv@vó – living in the grandma's house case studyPublication . Cunha, Carlos R.; Carvalho, Aida; Afonso, Luís C.M.; Silva, Daniel; Fernandes, Paula Odete; Pires, Luís; Costa, Carlos Casimiro da; Correia, Ricardo; Ramalhosa, Elsa; Correia, Alexandra I.; Parafita, AlexandreTourism and manly experience and cultural heritage tourism are growing in tourist’s interests. Rural regions have an untapped potential for this slice of tourism industry. Also, rural regions have an enormous collection of ancestral knowledge. Unfortunately, all this knowledge typically is elderscentered and it lack effective processes of digitalization, storage and providing systems for that all this heritage can be perpetuated through future generations. From this base-thinking it was created a project case study limited to the Portuguese Northeast region, named Viv@vó – living in the grandma's house. This paper presents this project and what it has been achieved during the project development process.
- BIP IntegratedProjectPublication . Magalhães, Francisco; Gomes, Giovany; Sousa, Miguel; Domingues, Mariana; Pinto, Ana Lúcia Jesus; Santos, Arlindo; Costa, Carlos Casimiro da; Fernandes, TiagoThe Integrated Project is a BIP ERASMUS+ programme that, in 2024, is running its fourth edition. It combines online and in-person sessions, involving students from various European partner institutions. The project is part of the Integrated Project course unit within the Multimedia degree at EsACT, offering students an international and multidisciplinary experience in project creation.
- Boosting cultural heritage in rural communities through an ICT platform: the Viv@vó projectPublication . Cunha, Carlos R.; Carvalho, Aida; Afonso, Luís C.M.; Silva, Daniel; Fernandes, Paula Odete; Pires, Luís; Costa, Carlos Casimiro da; Correia, Ricardo; Ramalhosa, Elsa; Correia, Alexandra I.; Parafita, AlexandreRural regions concentrate on themselves a very rich set of ancestral traditions. The perpetuation of such traditions has been achieved through transmission between generations. Unfortunately, all this knowledge is typically elders-centered and it lacks effective processes of digitalization, storage and providing-systems for that all this heritage can effectively be perpetuated through future generations that are digital-born. From this base, it was created a project case study limited to the Portuguese Northeast region, named Viv@vó – living in the grandma's house. This paper presents the ICT platform that was created in this project and some main achievements during the project development process. Tourism and mainly experience and cultural heritage tourism are growing in tourist’s interests. Rural regions have an untapped potential for this slice of tourism industry. Rural regions have an enormous collection of ancestral knowledge that we are responsible to deliver to future generations as an inheritance to which they are entitled.
- Confluence and affluence in design ambiguity scalesPublication . Costa, Carlos Casimiro da; Costa, Jacinta Casimiro daAmbiguity in Design education needs to focus in a ‘glocal’ perspective, tracing the paths and confluence circumstances that creativity exposes in particular different domains at the present time. If one world is literally being transformed into subsistence mean’s, as a predisposal sense of surviving confined in ecology of ‘freedom’, giving a reuse (re)interpretation of realities with limited resources predisposal.
- Corporate identity design InnovationPublication . Costa, Carlos Casimiro da; Fernandes, António Augusto; Medeiros, AlbertinaCorporate identity, as a tool for identifying an interactive structure trough visual depict representation in part icular, the creativity domains, where is possible to explore an innovative knowledge through systemic perspective. Innovation has origin in the exploration of creativity and in the capacity to connect the dots (Jobs, Steve), usually suspended asleep or that belong to our internal/external scenery. Most of the individuals interpret creativity as a generic procedure, something which cannot be measured or even planned. The cultural barriers and the strict structures still rooted in our traditions, increase this gap between human creative brains and the real creative production (Barreto, 2007).
- Corporate identity design innovationPublication . Costa, Carlos Casimiro da; Medeiros, Albertina; Fernandes, António AugustoCorporate identity, as a tool for identifying an interactive structure trough visual depict representation in particular, the creativity domains, where is possible to explore an innovative knowledge through systemic perspective. Innovation has origin in the exploration of creativity and in the capacity to connect the dots (Jobs, Steve), usually suspended asleep or that belong to our internal/external scenery. Most of the individuals interpret creativity as a generic procedure, something which cannot be measured or even planned. The cultural barriers and the strict structures still rooted in our traditions, increase this gap between human creative brains and the real creative production (Barreto, 2007). This paper reports the concept development of the corporate identity of IDEMi09, represented by a cellular esqueme and the idealistic interaction between the areas and the total image scenario that should result in a mirror of innovation process within conference aims. An interpretation indicates that this corporate identity design, does not accomplish a static image logo, but a workable structure, sufficiently open minded to have other interpretations in bi-dimensional and tri-dimensional configuration presentation
- Crafting a tooling idea into a new domestic landscape re-visited CPublication . Costa, Carlos Casimiro da; Fernandes, António Augusto; Fabião, Henrique JorgeThis document pretends to establish sensible paths that converge for a more sustainable world. In this sense the emphases is in verifying and characterize the user’s ways of life and there real needs in finding sustainable regenerative definitions. The requirement to interpret different contexts of new social and peripheral life-styles, developing adaptative crafty tools that promote forms, services, products and systems that do not compromise well being but to establish a symbiotic relation between ambient and the new and necessary technologies
- Crafting a tooling idea into a new domestic landscape re.visitedPublication . Costa, Carlos Casimiro da; Fabião, Henrique Jorge; Fernandes, António AugustoCrafting a tooling idea into a new domestic landscape re.visited: This document pretends to establish sensible paths that converge for a more sustainable world. In this sense the emphases is in verifying and characterize the user’s ways of life and there real needs in finding sustainable regenerative definitions. The requirement to interpret different contexts of new social and peripheral life-styles, developing adaptative crafty tools that promote forms, services, products and systems that do not compromise well being but to establish a symbiotic relation between ambient and the new and necessary technologies. Design criteria will allow an interpenetreural emphasis in this domestic living landscape, and their relations for a flexible and fluid system. The idea of one unlimited progress and unlimited growing process of product systems (classical and cycle point of view: production, consumer and economic development) has been an issue for arguing the simplicity models that today have a no more recognizable path for sustainability (Perejaume, 2000). The technological innovation and design need a new kind of dialogue between science and society as the origin of the creative process of mankind and there interdisciplinary, systemic and plural ways of thinking (Bonsiepe, 1985) .The project is a process, an attitude before being a trade (Mari, 1997) the sustainable ways of thinking needs to understand the responsibility of the designer and the role that he represents in the management system of a product industry (Papanek, 1971). The awareness of thinking in new products as open source design practice for a radical proceeding inside ecological times (Manzini, 2001). The ‘new’ scenarios, define mobility, as a main factor in household strategy by researches in series of self-packaging and do-it yourselfer modular systems that promote an itinerant portable well-being. This perspective demands a scenario where there is the possibility of including in-services into this modular products and self-assembly condition items for operative/functional regenerative potential tooling. This process has is origin into one empiric mobile research representing two parts of the same problems: adaptable living household into one semi-sphere of an incessant mobility and a research for the knowledge into one unsustainable dwelling. This issue includes the study of itinerant life-styles, especially students, teachers or other mobile users promoting sensibilities for craft or the ability for incorporate reacting tools for acting into self recognition and memory identification. The necessary interpretation of different and plural habitats put together ‘new’ forms of living objects but also their simple ephemeral edifications in their frequent migrations. This represents a total alienation with this life-cycle-products criteria’s and quality in a sustainable society, also represents a full system that needs eco-instruments to transform a low material and energy intensity. These special users are active part of the solution and their convenience in the development of the promising scenarios and their relations.