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Advisor(s)
Abstract(s)
Cada vez mais a investigação se tem dedicado ao estudo da componente sonora/musical que
constitui o universo teatral. Apesar da sua importância na definição, análise e compreensão da
obra, os objetivos de todos os estudos se têm centrado em elementos isolados que constituem a
música de cena. Partindo do princípio que toda a componente sonora/musical é um conjunto
orgânico, onde nenhum elemento deverá ser ignorado, o presente artigo pretende apresentar um
olhar temporal da relação dialética e dialógica entre o universo sonoro e teatral. Os ecos dessa
relação estão centrados na sua representatividade, importância e contributo para a evolução de
todo o pensamento sonoro/musical na narrativa teatral, com particular incidência sobre as práticas
composicionais e estéticas de Stanislavski, Meyerhold, Artaud, Brecht, Brook e Wilson na
construção dessa ligação entre a música e o teatro.
Increasingly the research has been devoted to the study of the musical/sound component that constitutes the theatrical universe. Despite their importance in defining, analysing, and understanding the theatrical work, the objectives of all studies have focused on isolated elements that constitute the music scene. If the entire musical/sound component is an organic set, where no element should be ignored, the present article intends to present a temporal look at the dialectical and dialogical relationship between the sound and the theatrical universe. The echoes of this relationship are centered in its representativeness, importance, and contribution to the evolution of all the sound/ musical thought in the theatrical narrative, with focus on the compositional and aesthetic practices of Stanislavski, Meyerhold, Artaud, Brecht, Brook and Wilson in the construction of connection between music and theatre.
Increasingly the research has been devoted to the study of the musical/sound component that constitutes the theatrical universe. Despite their importance in defining, analysing, and understanding the theatrical work, the objectives of all studies have focused on isolated elements that constitute the music scene. If the entire musical/sound component is an organic set, where no element should be ignored, the present article intends to present a temporal look at the dialectical and dialogical relationship between the sound and the theatrical universe. The echoes of this relationship are centered in its representativeness, importance, and contribution to the evolution of all the sound/ musical thought in the theatrical narrative, with focus on the compositional and aesthetic practices of Stanislavski, Meyerhold, Artaud, Brecht, Brook and Wilson in the construction of connection between music and theatre.
Description
Keywords
Música Teatro Música de Cena
Pedagogical Context
Citation
Cardoso, Mário; Leonido, Levi (2018). Os ecos de uma relação. European Review of Artistic Studies. ISSN 1647-3558. 9:1, p. 20-28
Publisher
ERAS