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Abstract(s)
La Ćŗltima y quinta novela de la serie āEsquiveles y Manriquesā, Satanael (1966), de Salvador de Madariaga y Rojo (La CoruƱa, 1886-Locarno, 1978) se sitĆŗa en la Venezuela del siglo XVIII, ademĆ”s de recorrer otros parajes como Jamaica y Cuba. Los presupuestos de la revoluciĆ³n francesa, denostados en diversas ocasiones por la ideologĆa franquista, surgen en la novela con un tono positivo, relacionados en su mensaje de igualdad con el cristianismo primitivo. Dos de los mĆ”s reconocidos pensadores de la revoluciĆ³n manan con fonĆ©tica espaƱolizada, RussĆ³ (sic) y Volter (sic), que conviven en la mente atribulada y dicotĆ³mica del protagonista, Juan Santiago Esquivel. En este trabajo se pretende volver a Madariaga como escritor ideĆ³logo, cuyas novelas no escapan de su visiĆ³n europeĆsta y antifranquista, usando la historia del pensamiento liberal francĆ©s como base de su escritura en esta obra menos conocida de la serie āEsquiveles y Manriques".
The last and fifth novel in the "Esquiveles y Manriques" series, Satanael (1966), written by Salvador de Madariaga y Rojo (La CoruƱa, 1886-Locarno, 1978), is set in Venezuela during the 18th century, as well as in other places such as Jamaica and Cuba. The assumptions of the French Revolution, which were reviled on several occasions by Franco's ideology, contain positive connotations and deal with the message of equality to primitive Christianity. Two of the most renowned thinkers of the revolution, RussĆ³ (sic) and Volter (sic) coexist in the troubled and dichotomous mind of the protagonist, Juan Santiago Esquivel. This paper is focused on returning to Madariaga as an ideological writer, whose novels do not escape from his Europeanist and anti-Franquist vision. In fact, he considers the history of French liberal thought to be the basis of the novel we will analyse here.
The last and fifth novel in the "Esquiveles y Manriques" series, Satanael (1966), written by Salvador de Madariaga y Rojo (La CoruƱa, 1886-Locarno, 1978), is set in Venezuela during the 18th century, as well as in other places such as Jamaica and Cuba. The assumptions of the French Revolution, which were reviled on several occasions by Franco's ideology, contain positive connotations and deal with the message of equality to primitive Christianity. Two of the most renowned thinkers of the revolution, RussĆ³ (sic) and Volter (sic) coexist in the troubled and dichotomous mind of the protagonist, Juan Santiago Esquivel. This paper is focused on returning to Madariaga as an ideological writer, whose novels do not escape from his Europeanist and anti-Franquist vision. In fact, he considers the history of French liberal thought to be the basis of the novel we will analyse here.
Description
Keywords
Salvador de Madariaga Satanael Voltaire Rousseau Franquismo
Pedagogical Context
Citation
Dotras Bravo, Alexia (2023). Influencias ilustradas francesas en la literatura antifranquista espaƱola: el caso de Satanael (1966) de Salvador de Madariaga. Ogigia. ISSN 1887-3731. 34, p. 7-25
Publisher
Universidad de Valladolid