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Du témoignage concentrationnaire à la mémoire révolutionnaire: Maria Lusitania de Charlotte Delbo
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L’expérience concentrationnaire a profondément marqué l’oeuvre de Charlotte Delbo, donnant à son écriture une vocation éthique : témoigner de la souffrance et lutter contre l’oubli. Si sa trilogie Auschwitz et après témoigne de ce devoir de mémoire, la pièce Maria Lusitania (1975) montre comment cette voix de survivante se projette au-delà des camps pour penser d’autres formes d’oppression. En inscrivant la Révolution des OEillets dans une perspective historique et mémorielle, Delbo met en scène l’aspiration d’un peuple à la liberté et souligne le rôle décisif des femmes dans la transition démocratique portugaise. Cet article interroge la manière dont l’écriture dramatique articule mémoire concentrationnaire et mémoire révolutionnaire, faisant du théâtre un lieu de transmission, de résistance et de réflexion politique.
The concentration camp experience had a profound impact on Charlotte Delbo’s work, giving her writing an ethical purpose: to bear witness to suffering and fight against forgetting. While her trilogy Auschwitz et après (Auschwitz and After) reflects this duty to remember, the play Maria Lusitania (1975) shows how this survivor’s voice extends beyond the camps to consider other forms of oppression. By placing the Carnation Revolution in a historical and memorial perspective, Delbo dramatises a people’s aspiration for freedom and highlights the decisive role of women in Portugal’s transition to democracy. This article examines how dramatic writing articulates concentration camp memory and revolutionary memory, making theatre a place of transmission, resistance and political reflection.
The concentration camp experience had a profound impact on Charlotte Delbo’s work, giving her writing an ethical purpose: to bear witness to suffering and fight against forgetting. While her trilogy Auschwitz et après (Auschwitz and After) reflects this duty to remember, the play Maria Lusitania (1975) shows how this survivor’s voice extends beyond the camps to consider other forms of oppression. By placing the Carnation Revolution in a historical and memorial perspective, Delbo dramatises a people’s aspiration for freedom and highlights the decisive role of women in Portugal’s transition to democracy. This article examines how dramatic writing articulates concentration camp memory and revolutionary memory, making theatre a place of transmission, resistance and political reflection.
Descrição
Palavras-chave
Charlotte Delbo mémoire résistance théâtre Révolution
Contexto Educativo
Citação
Alves, Ana M. (2026). Du témoignage concentrationnaire à la mémoire révolutionnaire: Maria Lusitania de Charlotte Delbo. In Avrils au Portugal et ailleurs. Porto: Universidade do Porto. p. 63-74. ISBN 978-989-36147-9-2
Editora
Instituto de Literatura Comparada Margarida Losa da Faculdade de Letras da Universidade do Porto