Autores
Orientador(es)
Resumo(s)
A lo largo del presente artículo demostraremos cómo Unamuno, en torno a los años 1912 y
1913, realiza una profunda reflexión poética que le lleva a borrar fronteras genéricas entre la
prosa y la poesía. Gracias a los manuscritos de trabajo analizados mediante la metodología de la
crítica genética, comprobaremos cómo pone en práctica esta reflexión teórica iniciando la redacción
de un poemario en prosa. Asimismo, los apuntes autógrafos del prólogo que planeó para
dicho volumen de versos se revelan de suma importancia, pues evidencian que Unamuno concibió
el poema como un organismo, para cuya composición intentó desarrollar una secuencia rítmica
basada en números impares. Será el endecasílabo el metro al que otorgue un lugar privilegiado
dentro de su poética, y llegará a considerarlo como el auténtico «verso orgánico».
Throughout this article, we will discuss how Unamuno made a profound poetic reflection; around 1912 and 1913, he eliminated the generic boundaries between prose and poetry. Applying the methodology of genetic criticism to the analysis of the drafts reveals that don Miguel implemented his theoretical reflection by writing a poetic book in prose form. Furthermore, the autograph notes provided in the prologue revealed themselves important. They demonstrated how Unamuno conceived poems as an organism and developed a rhythmic sequence based on odd numbers for his composition. He introduced the hendecasyllable in his poems, which would forever be considered the real “organic verse”.
Throughout this article, we will discuss how Unamuno made a profound poetic reflection; around 1912 and 1913, he eliminated the generic boundaries between prose and poetry. Applying the methodology of genetic criticism to the analysis of the drafts reveals that don Miguel implemented his theoretical reflection by writing a poetic book in prose form. Furthermore, the autograph notes provided in the prologue revealed themselves important. They demonstrated how Unamuno conceived poems as an organism and developed a rhythmic sequence based on odd numbers for his composition. He introduced the hendecasyllable in his poems, which would forever be considered the real “organic verse”.
Descrição
Palavras-chave
Miguel de Unamuno Poemas en prosa Borradores de poesía Obra orgánica Endecasílabo Crítica genética
Contexto Educativo
Citação
Martínez Deyros, María (2018). La concepción del poema en prosa como obra orgánica en Miguel de Unamuno. Revista de Literatura. ISSN 0034-849X. 80:160, p. 432-462