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Are audiodescribed visits for all?: notes on an accessibility project for contemporary art

2021Documento de conferência Acesso aberto
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dc.contributor.authorMartins, Cláudia
dc.date.accessioned2022-01-17T14:29:34Z
dc.date.available2022-01-17T14:29:34Z
dc.date.issued2021
dc.description.abstractTranslators have been given many names, from a “mere” intermediary between a source language/ culture and a target language/ culture to a universal access mediator (Neves, 2020). Mediation “between humans and the cultural heritage environment” (Deane-Cox, 2020) has grown exponentially in the last decades. Within Heritage Studies we speak of interpretation, which ultimate goal is to educate and engage, whereas, in Audiovisual Translation, we endorse the overthrow of obstacles that impede understanding, by enhancing access at various levels – from physical to communicational, from emotional to sensory (cf. Dodd & Sandell, 1998 & Sassaki, 2005). Therefore, this enhanced access aims also to inform in a customised manner, by means of a museum guide for the general public, for children, for the blind and visually-impaired, for the D/deaf and hard-of-hearing, among other audiences. Access in heritage seeks to enable visitors’ engagement and the use of their various senses, in order to create a meaningful and holistic experience that will remain in their memory. Regardless of the type of guide on offer, research has shown that access for all does not necessarily equal one different product/ equipment for each different group, but rather one that amasses the most diversified options in order to cater for as many people as possible. Thus, we aim to report on the project carried out at the Contemporary Art Centre Graça Morais, in Bragança, Portugal, where audiodescribed visits were created for the biannual temporary exhibitions with a view to heeding the needs of blind and visually-impaired patrons.pt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.citationMartins, Cláudia (2021). Are audiodescribed visits for all?: notes on an accessibility project for contemporary art. In 7th IATIS Conference: Book of Abstracts. Barcelonapt_PT
dc.identifier.urihttp://hdl.handle.net/10198/24682
dc.language.isoengpt_PT
dc.peerreviewedyespt_PT
dc.publisherIATISpt_PT
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/pt_PT
dc.subjectCultural heritagept_PT
dc.subjectContemporary art centrept_PT
dc.subjectAccessibilitypt_PT
dc.subjectAudiodescribed visitspt_PT
dc.subjectBlind and visuallyimpaired audiencespt_PT
dc.titleAre audiodescribed visits for all?: notes on an accessibility project for contemporary artpt_PT
dc.typeconference object
dspace.entity.typePublication
oaire.citation.conferencePlaceBarcelonapt_PT
oaire.citation.endPage331pt_PT
oaire.citation.startPage331pt_PT
oaire.citation.title7th IATIS Conference: Book of Abstractspt_PT
person.familyNameMartins
person.givenNameCláudia
person.identifier.ciencia-id5E13-B7EA-F261
person.identifier.orcid0000-0002-3388-2340
person.identifier.scopus-author-id57214068155
rcaap.rightsopenAccesspt_PT
rcaap.typeconferenceObjectpt_PT
relation.isAuthorOfPublication4be85f99-b17e-4516-ae3d-b35381902076
relation.isAuthorOfPublication.latestForDiscovery4be85f99-b17e-4516-ae3d-b35381902076

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