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Advisor(s)
Abstract(s)
Este artigo apresenta o projeto “Que Assim Seja”, que, através do teatro popular
apresentado numa praça pública do bairro do Pilar, Duque de Caxias – RJ, teve como
justificativa a promoção da Igreja Nossa Senhora do Pilar, que apesar de
registada como Património Histórico Nacional, encontra-se interditada. Além disso, o
espetáculo promoveu o resgate da identidade social e fomento da produção cultural na
região, tendo em vista que todos os envolvidos, faziam parte da comunidade local. O
artigo perpassa pela construção do espetáculo, narrando todas as etapas de produção
bem como as imersões nos estudos culturais sobre o património histórico. Por final,
apresentamos os resultados gerados a favor do património que, por estar situado em
uma região periférica da baixada fluminense, não goza de muitas políticas públicas.
This article presents the project "Que Assim Seja", which through popular drama presented in a public square in the neighborhood of Pilar, Duque de Caxias - RJ, was the basis to promote the Nossa Senhora do Pilar Church, which despite being registered as Historical Patrimony, is closed. In addition, the event promoted the rescue of the social identity and the promotion of cultural production in the region, since all those involved were part of the local community. The article goes through the construction of the show narrating all stages of production as well as immersions in cultural studies on historical heritage. Finally, we present the results in favor of the patrimony that, because it is located in a peripheral region of the state of Rio de Janeiro, is not an object of many public policies.
This article presents the project "Que Assim Seja", which through popular drama presented in a public square in the neighborhood of Pilar, Duque de Caxias - RJ, was the basis to promote the Nossa Senhora do Pilar Church, which despite being registered as Historical Patrimony, is closed. In addition, the event promoted the rescue of the social identity and the promotion of cultural production in the region, since all those involved were part of the local community. The article goes through the construction of the show narrating all stages of production as well as immersions in cultural studies on historical heritage. Finally, we present the results in favor of the patrimony that, because it is located in a peripheral region of the state of Rio de Janeiro, is not an object of many public policies.
Description
Keywords
Património Histórico Cultura Popular Teatro
Citation
Cerqueira, Higor Matheus da Silva Ferreira; Soares, Ana Luisa (2017). Que assim seja: um auto justificado na promoção do património histórico brasileiro = Que assim seja: a justification in the promotion of brazilian historical heritage. AdolesCiência: Revista Júnior de Investigação. ISSN: 2182-6277. 4:1, p. 35-40
Publisher
Instituto Politécnico de Bragança, Escola Superior de Educação