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Critical thinking at the hands of literature, cinema and video

dc.contributor.authorMartins, Cláudia
dc.date.accessioned2018-04-30T10:41:00Z
dc.date.available2018-04-30T10:41:00Z
dc.date.issued2016
dc.description.abstractLearning is considered a fundamental skill for human development, without which no evolution is even conceivable. However, formal education from 18th century onwards was gradually transferred to states’ hands and thus standardised schooling came to be. Despite enabling less privileged people to have access to culture at that time, it is a means to kill creativity and create a gap between those who follow academic pathways and those who don’t, from Ken Robinson’s viewpoint. However, education should also consist of a means to discovery, to exercise critical attitudes towards life and become the springboard for social changes. The concept of critical thinking is profusely discussed, although it exists for over 2500 years, according to the Critical Thinking Community. It is understood as a process that requires discipline and active engagement in analysing events and information, evaluating and reflecting upon them. We believe such events and information can be provided by literature, cinema and video, which we have extensively used in educational contexts at higher education with a view to developing students’ critical thinking. Literature may appear as the starting point (or not) – Henry David Thoreau’s “Walden” or “Invictus” by William Ernest Henley – complemented by classics in cinema, such as “Dead Poets Society” (Peter Weir, 1989) or “Invictus” (Clint Eastwood, 2009). A third part in this equation is played by “Ted: ideas worth spreading”, where short talks can be accessed. Therefore, the aim of this paper is to explore the power of this triad in enhancing critical thinking in young adults.pt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.citationMartins, Cláudia Susana Nunes (2016). Critical thinking at the hands of literature, cinema and video. In Avanca Cinema: International Conference 2015. Avanca: Cine-Clube de Avanca. p. 28-36. ISBN 978-989-96858-8-8pt_PT
dc.identifier.isbn978-989-96858-8-8
dc.identifier.urihttp://hdl.handle.net/10198/17450
dc.language.isoengpt_PT
dc.peerreviewednopt_PT
dc.publisherCine-Clube de Avancapt_PT
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/pt_PT
dc.subjectHigher Educationpt_PT
dc.subjectCritical Thinkingpt_PT
dc.subjectCinemapt_PT
dc.subjectVideopt_PT
dc.subjectLiteraturept_PT
dc.titleCritical thinking at the hands of literature, cinema and videopt_PT
dc.typeconference object
dspace.entity.typePublication
oaire.citation.conferencePlaceAvancapt_PT
oaire.citation.endPage36pt_PT
oaire.citation.startPage28pt_PT
oaire.citation.titleAvanca Cinema: International Conference 2016pt_PT
person.familyNameMartins
person.givenNameCláudia
person.identifier.ciencia-id5E13-B7EA-F261
person.identifier.orcid0000-0002-3388-2340
person.identifier.scopus-author-id57214068155
rcaap.rightsopenAccesspt_PT
rcaap.typeconferenceObjectpt_PT
relation.isAuthorOfPublication4be85f99-b17e-4516-ae3d-b35381902076
relation.isAuthorOfPublication.latestForDiscovery4be85f99-b17e-4516-ae3d-b35381902076

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