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Advisor(s)
Abstract(s)
Este artigo aborda o fenómeno da intertextualidade em Memorial do Convento, de José
Saramago. Depois da explicitação do conceito e de uma síntese da sua evolução, segue-se
uma breve contextualização da obra, com referência à sua dimensão crítica e às quatro
linhas de ação que nela se desenvolvem. Posteriormente, procede-se à análise do conceito
“Intertextualidade” que permitirá afirmar que as diversas definições convergem para a
ideia de que todo o texto é a representação de textos anteriores e que é ponto de partida
para a abordagem da obra Memorial do Convento à luz deste conceito. Esta leitura
intertextual permitiu concluir que, entre as inúmeras relações que a obra estabelece com
outros textos, se destacam Camões, António Vieira, Fernando Pessoa e textos de
produção oral/tradicional. Assim, poderá dizer-se que Memorial do Convento se apresenta
como um incontornável exemplo no que toca à análise do fenómeno intertextual.
This article discusses the phenomenon of Intertextuality in Baltasar and Blimunda by José Saramago. After the explanation of the concept and a summary of its evolution, the following is a brief background of the work, with reference to its critical dimension and the four lines of action that it develops. Subsequently, the analysis of the concept of “Intertextuality” will make it possible to conclude that all definitions on it converge to the idea that every text is a representation of previous texts and that it is a starting point for the approach of Baltasar and Blimunda in light of this concept. This intertextual reading allowed us to conclude that among the many relations that the work establishes with other texts, namely those by Camões, António Vieira, Fernando Pessoa and those orally/traditionally created. Thus, it may be concluded that Baltasar and Blimunda presents itself as a compelling example regarding the analysis of intertextual phenomenon.
This article discusses the phenomenon of Intertextuality in Baltasar and Blimunda by José Saramago. After the explanation of the concept and a summary of its evolution, the following is a brief background of the work, with reference to its critical dimension and the four lines of action that it develops. Subsequently, the analysis of the concept of “Intertextuality” will make it possible to conclude that all definitions on it converge to the idea that every text is a representation of previous texts and that it is a starting point for the approach of Baltasar and Blimunda in light of this concept. This intertextual reading allowed us to conclude that among the many relations that the work establishes with other texts, namely those by Camões, António Vieira, Fernando Pessoa and those orally/traditionally created. Thus, it may be concluded that Baltasar and Blimunda presents itself as a compelling example regarding the analysis of intertextual phenomenon.
Description
Keywords
Memorial do Convento Intertextualidade Intertexto
Citation
Alves, Ivo Diogo da Costa; Fernandes, Nuno Filipe Pedro; Lopes, Luísa Diz (2013). Entre os textos de Memorial do Convento = Among Baltasar and Blimunda’s texts. AdolesCiência: Revista Júnior de Investigação. ISSN 2182-6277. 2:1, p. 13-20
Publisher
Instituto Politécnico de Bragança, Escola Superior de Educação